April 8th, 2013

A guest post by the New York Film Academy

The 3D Film Industry – Why The Only Way is Up

We’re currently a few years into the latest – and most prominent – resurgent in stereo 3D film. Thanks to Moore’s Law, and with a little bit of commercial viability, the industry for 3D film exploded on a mainstream scale back in 2009, with its biggest boost arguably owing to the breakthrough success of Avatar’s 3D release.
Although the run up to this pinnacle has been a steady one over the last decade (or even the last century if we’re looking at the bigger picture), sadly consumer confidence is just overcoming a lull.
So why did movie-goers become disenchanted with what is otherwise a blossoming medium? What is the situation now, and what is the long-term prognosis for the industry?


Why 3D Films Wobbled

The technology with which to shoot high-end 3D footage has never been better, and has been showcased masterfully on a number of occasions. Avatar notably brought jaw-dropping 3D footage to the forefront of the world stage and James Cameron’s determination went on to be handsomely rewarded at the box office.
But if we’re being honest with ourselves, Avatar was not a great film in and of itself. Better examples would be titles such as Wim Wenders’ extraordinary Pina (2011) and Pixar’s charming Up (2009), both of which proved that solid material can be supplemented and massively enhanced by quality 3D presentation.

We’re currently a few years into the latest – and most prominent – resurgent in stereo 3D film. Thanks to Moore’s Law, and with a little bit of commercial viability, the industry for 3D film exploded on a mainstream scale back in 2009, with its biggest boost arguably owing to the breakthrough success of Avatar’s 3D release.Although the run up to this pinnacle has been a steady one over the last decade (or even the last century if we’re looking at the bigger picture), sadly consumer confidence is just overcoming a lull.So why did movie-goers become disenchanted with what is otherwise a blossoming medium? What is the situation now, and what is the long-term prognosis for the industry?Why 3D Films WobbledThe technology with which to shoot high-end 3D footage has never been better, and has been showcased masterfully on a number of occasions. Avatar notably brought jaw-dropping 3D footage to the forefront of the world stage and James Cameron’s determination went on to be handsomely rewarded at the box office.But if we’re being honest with ourselves, Avatar was not a great film in and of itself. Better examples would be titles such as Wim Wenders’ extraordinary Pina (2011) and Pixar’s charming Up (2009), both of which proved that solid material can be supplemented and massively enhanced by quality 3D presentation.

Somewhat predictably however, these early mainstream successes created something of a gold rush. 3D films were thrust through the pre and post production conveyor belt with neither care nor attention.

A case in point is Wrath of the Titans (2010), a lackluster film that was hastily converted from 2D to 3D at the behest of Legendary Pictures who saw the success of Avatar halfway through filming. The resulting film was released while the buzz was high, and therefore earned its keep, but the cinematic results were shocking.

A slew of similarly half-hearted 3D films followed, so numerous that audiences quickly lost faith in the technology when the technology itself wasn’t ever the problem.
“What happened to 3-D? It may have died from a case of acute septicemia; too much crap in the system.”
This quote from Daniel Engber of Slate was a pretty accurate surmisal of the situation, but that was nearly two years ago.
Thankfully, things are getting better.


Why Audiences Should Be Excited Again

Frankly speaking, we’re over the dirge. The mainstream studios managed to capitalize on the initial buzz following the latest resurgence, but were quickly reminded that you can’t fool audiences for long – smoke and mirrors does not substitute good filmmaking.

As such, we can expect a better integration of ever-advancing RealID and IMAX 3D technology with genuinely good cinematography. In fact, we’re already seeing a more careful and measured implementation of stereo 3D effects, so well done for weathering the storm while we let Hollywood get the ‘let’s make everything 3D’ bug out of its system!

But an even more exciting prospect for cinema-goers who still yearn for 3D film is that technology is becoming increasingly available to indie filmmakers, both in terms of overhead cost and more flexible distribution options to get the project out there.

In addition, although cinema is the topic of discussion here there are plenty of other areas in which 3D is set to thrive (sports and video gaming to name a couple).

The net result is that the 3D marketplace will be populated by a richer choice of content, and its also the reason that…


Filmmakers Should Be Even More Excited
The good news is that the 3D film industry is nowhere near as doomed as the naysayers suggest – BoxOfficeQuant separated the figures from the hysteria in this great blog post, which is well worth a read. So as a filmmaker, there’s never been a better time to get into the industry, especially with technology costs consistently lowering.
In addition, it’s important to note that getting into 3D filming isn’t as daunting as it sounds. If you’ve got a few years of experience in traditional filmmaking, or have degree-level training at a reputed institution such as the new york film academy game design school, you’ve already got the base knowledge you need to get ahead in 3D.
A good reason to consider picking up this skill is that it can increase your marketability. As a recent example, IFC Films picked up Werner Herzog’s documentary, Cave of Forgotten Dreams, particularly because it was filmed in 3D. In fact, we can easily envisage a world in the very near future when the value of a film is greatly hampered by being only shot in 2D. Ergo, having at least a base knowledge of 3D shooting techniques – even if the filmmaker isn’t planning on using them – may be hugely beneficial to his or her career.


Exploring Further
It’s a big world out there, especially when it comes to developments in tech and best shooting practices. Convergence 3D is a great port of call from which to navigate the 3D world – a good starting point is the info center, but if you have any questions or interesting points of discussion, dive straight into the forums… the water’s fine.

“Jury’s Prize” at Dimension 3 for “La 3ème Voie”!

June 10th, 2011

“La Troisième Voie” (“The Third Way”), a 28min thriller directed by Jean-Michel Tari, produced by Kafard Films, and 3D done by Parallell Cinéma won the “Jury’s prize” at the Dimension 3 Film Festival!

103 films were in competition, and the short film is 2nd, just behind Wim Wenders’ feature film “Pina”!

So, this year at Dimension 3, Parallell Cinéma was the winner of two prizes (Best Music Video and Jury’s Prize), after winning “Best Educationnal program” last year with “Stereo 3D Filmmaking: The Complete Interactive Course”.

That’s an amazing start for the career in festivals of “The Third Way”, and a wonderful recognition for Parallell Cinéma’s know-how in the 3D film industry! Really happy about that…

“Best Music Video” Award at Dimension 3 for “Irma – I know”!

June 10th, 2011

In competition at the Dimension 3 Film Festival against multi-awarded music videoclips, MyMajorCompany and Parallell Cinéma’s latest project wins “Best Music Video”!

The music video is a “graphic spatialization” of a 2D clip, and not a standard 2D-to-3D conversion. The film is a journey at the middle of endless flat replications of the artist, playing with different levels of flat images. This film is the beginning of a long-term relationship with the world’s most innovative record company!

It can be seen on Orange 3D, Orange VOD, and very soon at La Géode, France’s most well-known IMAX theater. And  soon, used as a demo on the 3DTVs of a very well-known manufacturer…

Coming soon: Dimension 3 2011

April 12th, 2011

Europe’s biggest 3D event will take place in Paris from May 24th to May 26th, with a surface almost doubled compared to last year. It is the place to be for 3D, and this year’s competition for the Festival will be very intersting. More info there: http://www.dimension3-expo.com . Highly recommanded for professionals and 3D enthusiasts alike.

Parallell Cinema and Convergence3D.net will have a booth and not less than three movies in competition: the OM-PSG soccer game; the ambitious cop story “La Troisième Voie” (“The Third Way”), a 22-min short film; and a music videoclip for MyMajorCompany that will be revealed for the festival and braodcasted on Orange 3D. So, please come to meet us!

France’s biggest soccer game in 3D

March 23rd, 2011

On March 20th, channel Canal + broadcasted live the soccer game Oympique de Marseille-Paris Saint-Germain.

This classico was France’s most awaited soccer game this year.

Canal +’s chief stereographer was Cédric-Alexandre Saudinos, one of Parallell Cinéma’s partners

AMP Visual provided the 3D control room and the English company Can Communicate the rest of equipement and 3D team.

Parallell Cinéma also made for Canal + a complete previsualization of the game using FrameForge in order to validate cameras setup and 3D settings.

In addition to 10 3D axis (=20 cameras), 26 2D cameras were able to be converted in 3D live. 3D-rigs were Element Technica’s Pulsars and a P+S Technil Freestyle on a steadicam.

A 7-pages article will be found in the next issue of French newspaper Sonovision/Broadcast; and a detailed article has already been released in the March 22 edition of Satellifax, one of France most influential specialized newsletter.

A 16-min thriller in 3D!

March 23rd, 2011

Our friends from Kafard Films just produced  La Troisième Voie (The Third Way), a 16-min thriller shot in 3D, directed by Jean-Michel Tari. The shooting took place in Paris.

Parallell Cinéma was in charge of the 3D.

Quite a big budget for a short film (149000€), nice pictures,  a very neat and innovative 3D (including a world premiere: the use of a 3D snorricam)… The movie (shot with two SI2Ks mounted on a P+S Technik Freestyle 3D-rig) is going to make quite a buzz:  journalists writing for American Cinematographer and French papers Ecran Total and Sonovision/Broadcast came on the set to see how the shooting of a 3D fiction film is like.

The equipement used on La Troisième Voie will be used for Astérix 4, the biggest French film of the year.

More info on the film’s website: www.la3emevoie.com

More about the course available on YouTube

July 16th, 2010

We’ve just posted a 20min interview about “Stereo 3D Filmmaking: The Complete Interactive Course”, with a lot of behind the scenes footage, a lot to learn about Stereo 3D, and… well, us.

First part here:

Second Part here:

And Third and last part here:

We won!

June 13th, 2010

Our package “Stereo 3D Filmmaking: the complete interactive course” was released for the Dimension 3 Expo, in Paris. Both professionals and journalists seems to be very excited about it…

But, above all, this Stereo 3D course won the Dimension 3 prize, on the “3D Interactive” category! After one year of work on it, we’re really happy!

The package includes 2h10min in live action stereo-3d, an optically-accurate shooting simulator with 6 to 8h of practical training; and about 4h of masterclasses with the best stereo 3d experts around the world.

We’re really, really proud – Dimension 3 being the world’s biggest event about stereo 3D!

More infos soon.

The first music video in live-action Stereo-3D

June 13th, 2010

Well, we were talking about it for a little while, now… – and finally our friends of La Bise au Chat Productions did it: probably the first music video shot in live action stereo 3D… it’s called Here and now or never, by Puss and Boots, and it’s on dailymotion, there: http://www.dailymotion.com/video/xdgcsp_puss-in-boots-here-and-now-or-never_music#hp-v-v4

Even if I’m not a complete fan of the stereo effect here (too much pure white zones with no stereo cues at all), I have to admit you did it for very little money with some really good ideas… well done, guys!